The Academy Awards take place tonight, but I may not watch.
I have misgivings, particularly about the industry’s apparent exclusion of films that highlight the Palestinian plight in Israel.
Like many others, I don’t miss theaters. It’s nice just lounging in an easy chair, scrolling through endless streaming choices on a big-screen TV, microwaved popcorn at hand. Traditional studios have taken the hint, shifting their priorities toward digital platforms.
A few times, I’ve ve been tempted to return to the theater to see films like Top Gun: Maverick for its effects, or Oppenheimer, for its brilliant portrayal of a conflicted scientist. But I always hold off, knowing that within months, I can rent or buy the film and avoid the steep ticket prices.
Now comes another film, a documentary No Other Land, winner of the Berlin International Film Festival and the Gotham Award for Best Documentary, now an Oscar nominee.
Yet no American studio dares to sponsor it.
Jointly directed by Palestinian and Israeli filmmakers, No Other Land lays bare the struggles of Masafer Yatta, a West Bank community facing near-daily assaults from Israeli Defense Forces and encroaching settlers who want them gone, the latter, an updated version of the Ku Klux Klan. The IDF claims it needs the land for a military training base.
Two weeks before the film’s Oscar nomination, masked settlers stormed Masafer Yatta, destroying homes. In one instance, caught on film, a resident was shot in the stomach. The filmmakers themselves have been harassed, even shot at, over five years of production.
Palestinian director Basel Adra, a Masafer Yatta resident, has been targeted multiple times. Yet he refuses to leave the land where his family has lived for generations.
His Israeli co-director, Yuval Abraham, told The New York Times:
“I look at Basel, who’s living a much more difficult life than myself, and as long as he’s continuing, I feel like I also have to continue. Even if reality is only changing for the worse, it’s not as if we know what would happen if there is no documentation.”
So far, the film has reached just 23 American theaters. Still, the directors hope for broader exposure to awaken audiences to Israel’s deepening colonization of the West Bank and shift public perception.
But in America, supporting Palestinian rights often invites accusations of antisemitism. Trump has proposed deporting Palestinian student protesters. As for Gaza, he advocates expelling its 2 million inhabitants without a right of return.
Ta-Nehisi Coates’ new book, The Message, devotes half its pages to his time in the West Bank. Some criticize him for omitting Hamas’ attack on Israel and its atrocities. Daniel Berner of The Atlantic calls Coates’s analysis simplistic. Yet liberal Israelis, though a minority, may find his perspective compelling.
Coates focuses on the West Bank, not Gaza. In an interview with New York Magazine, he remarked: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel.”
As expected, some have labeled him antisemitic. The New Republic sees it differently, calling the backlash a massive media failing: “Coates is not antisemitic to defend Palestinian human rights” (Shiner, October 2, 2024).
If No Other Land makes it to my local theater, I’ll give up my easy chair, venture out to the theater, pay the ticket price, not only to witness a remarkable documentary, undertaken at great risk, but to lend my support to a story centered in truths that must be told.
RJoly
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