Author: RJ
Father’s Day again
rj
Ephemeral–now that’s a mouthful….
Ephemeral–now that’s a mouthful for a word infrequently used, and meaning short-lived. Still, it’s one of the most vitalizing words in the English language. That is, if we can grasp its implications–that ending hovers over everything, over what and whom we love.
Mortality lies at the groundswell of poetry, that time erodes and even memory dulls, that it brings with it alteration. Its waves, often unperceived in the languorous satiety of life, nonetheless sweep in and out, cast up, then take away. Life has its rhythms. There is a time to be born and a time to die, as Ecclesiastes tells us.
I contemplate not upon human mortality only, but upon best friendships, happy events, kind deeds, promises made, hopes gathered of good health, material comfort, my children’s happiness. I know now that even the mountains grow and die.
As a college student, I once wrote a poem about a tree outside my class window–its pregnant fullness, its long life with more to come, the irony that a tree like some Galapagos sea turtle should outlive humans, evolution’s crowning achievement. Several months later, the bulldozers moved in.
Again, I think of so many poems I have loved, poignant in their melancholy of demise and ending: Shakespeare’s “Shall I Compare Thee to a Summer’s Day?”; Yeats’s “The Wild Swans Of Coole”; Dylan Thomas’s “Fern Hill”; Houseman’s “Loveliest of Trees, the Cherry Now”; my favorite, Keats’ “Ode to a Nightingale”.
At times I have felt like the Psalmist who wrote of weeping by the waters of Babylon in recall of Zion’s pre-Captivity halcyon past. Like him, I know that even nations rise and fall.
I know, too, that time fades the sensory past and often bequeaths a future not granting great expectations.
Yet I do not mourn life’s ephemerality, for I have learned to revere what I cannot keep, to indulge each new day, to love more fully.
With much that’s taken, much is given.
We have only the Now in which to seek and find the Grail.
rj
Lately I’ve been reading….
Lately I’ve been reading F. Scott Fitzgerald’s lesser known novel, This Side of Paradise. It’s one of those freebies you can now download, given its removal from copyright after fifty years.
This novel focuses on the character Amory Blaine. There’s not much to like about Amory, particularly his conceit. He interests me because he resembles many of us. He likes control. He has a zeal to be noticed. He’s self conscious in everything he does. He must be perfect. He must be liked. In his self-absorption, he’s quick to take offense.
In the course of things, he meets his third cousin, Clara Page, with whom he falls in love. Widowed and impoverished, she nonetheless has a compelling resilience about her and an insightful way of getting to the core of things. As her first name suggests, she functions as a clarifier in her intuitive keenness. She sees, for example, the source of Amory’s vanity and sensitivity to criticism.
Clara is direct in her dissection of Amory’s egotism as a mask for deeply seated feelings of personal inadequacy:
“You sink to the third hell of depression when you think you’ve been slighted. In fact, you haven’t much self-respect.”
Here, as elsewhere in this novel, Fitzgerald proves a keen observer of the psychological motives behind outward behavior.
When we wound easily or strive overly it often stems from a sense we don’t measure up. Perfectionists, we yearn for approval as evidence of our self-worth. Over achievers, we require validation.
Clara again hits the nail on the head, exclaiming, “The reason you have so little self-confidence, even though you gravely announce to the occasional philistine that you’re a genius, is that you’ve attributed all sorts of faults to yourself and are trying to live up to them.”
Amory suffers from a common anxiety malaise that can shackle our potential for finding happiness. It becomes difficult to elude its hydra tentacles, as it requires an honest and painful, acknowledgment of our weaknesses. But it’s the only way out. Until we can live with ourselves, warts and all, we can’t really find contentment.
This doesn’t mean getting into self-flagellation. It isn’t wallowing we’re after. It’s self-acceptance. Only then can true healing begin. We become lovable when we learn to love ourselves. Forgiving ourselves, we can forgive others.
Mitch Albom got it right in his The Five People You Meet in Heaven: “‘You have peace, the old woman said, ‘when you make peace with yourself.'”
rj
Hats off to Wisconsin governor Scott Walker….
Stress can take its toll on your health
Lately, as an older person, I’ve been worried about my health. My body doesn’t work as well. Increasingly, I’ve had to turn sentry to preserve what health remains. Like a car gathering miles, things start to go wrong, sometimes suddenly.
The Obama administration prides itself…
If you had but one wish
If you had but one wish that could change your life, what would it be? Would it come down to the traditional game-players as primary motivators: wealth, power, fame? There are some, however few, the angels among us, who’d choose helping others. Still others, and they number in the millions actually, who’d opt for living a life pleasing to God.
Frankly, this is a hard question for me to answer, for I can think of still other pleasing options like enjoying good health, freedom from anxiety, the respect of others, etc. What other options could you add to this list? Perhaps a happy marriage and family life, or to be loved, or to have a best friend, or even just to be appreciated? Now remember, you only get one wish. In a showdown, which is it for you? And why? See, it isn’t all that easy. Like so much in life, making one decision often means forfeiting another. For me, it’s a whole lot easier to choose between good and bad than between two kinds of good.
Of course you might conjecture that these choices are always personal, since their consequences may make some happy, others less so. I use “happy” deliberately, for isn’t this implied for ourselves in any wish we’d like to come true?
Me, I’ve long been suspicious of the underlying premise of E. A. Robinson’s “Richard Cory” many of us have read in high school English. You know–the guy everybody envied for his wealth, only to kill himself. Sorry to any of you preferring orthodoxy, but I think I like the money wish best, not for its own sake, or from greed, but because it actually multiplies my choices: I can find the best doctors; provide better for those I love, animals as well as people; help preserve Nature’s diminishing footprint; endow cancer charities and provide food for the hungry; choose where I want to live; come upon better, more quality goods.
Not to be left out, I’d gain access to people I’d like to be with–accomplished, refined, intelligent, connoisseurs of excellence. In my social station, I don’t see much of this. It hangs out in certain zip codes replete with people who choose where to live for its amenities like good schools, safe neighborhoods where you don’t have to watch your back, tranquil parks, tree-lined streets, a neighborhood club house, tennis courts and pool, maybe even an equine barn for stabling your horse or say an adjacent golf course; but best of all, neighbors who share a respect for education, intelligence, liberal thought, and professional accomplishment. I see them at symphonies, I read of their charity, note their activism for making life fairer for the marginalized, their absence of malice or rancor toward those of different color or ethnicity or sexual persuasion, their freedom from extremism, whether political or religious. They assume leadership roles in their community. They fund the arts. They work for quality schools. They are not isotopes couched before TV screens. In the politics of opportunism they are often the scapegoats for what ails, when the reality is they pay most of the taxes, despite what you hear, and frequently do more to provide enterprise, meaning jobs for you and me.
No E. A. Robinson for me. I prefer F. Scott Fitzgerald, who envied the rich in their gated life as an obsessed outsider desiring entrance. And I know why.
Where are you, Aladdin with your magical lamp? I’ve a wish to make.
rj
I am back!
I am back!
I am back! This after several months of illness. And I’m feeling better.
I appreciate those of you who read my blog worldwide: Russia, UK, Canada, Germany, the USA, Japan. I’ve missed you!
For new readers, this is an indie blog. I write my observations on a wide variety of topics to provide a stimulus for thought and discussion. I craft carefully with you in mind, usually two or three times a week. You are invited to respond, either through the response option or email options that follow each entry. Don’t be shy and always be gentle with me and each other. Please forgive my sometimes exuberance. I’ve always been a Romantic at heart.
rj
The Harry Nilsson legacy
Everbody’s talkin at me
I don’t hear a word they’re saying
Only the echoes of their mindPeople stopping staring
I can’t see their faces
Only the shadows of their eyesI’m going where the sun keeps shining
Through the pouring rain
Going where the weather suits my clothes
Backing off of the North East winds sailing on summer breeze
And skipping over the ocean like a stone
I first heard Harry Nilsson sing these lyrics, composed by Fred Neil, and a staple of the great music that helped make Midnight Cowboy one of the best films of 1969 as a graduate student in Chapel Hill, seeking time-out from academic rigor.
Over the years, I neither forgot the movie with its archetypal search for the lost Eden, nor its haunting lead song, which has remained my favorite, beating out even John Lennon’s “Imagine” and Linda Ronstadt’s smash hit, “Blue Bayou.” By the way, Lennon and Nilsson were drinking buddies at one point, and the Beetles admired his song-writing. He was prolific, often writing songs for other singers and bands, including Glenn Campbell and the Monkees.
There’s something about this song, maybe the way Nilsson sings it, that puts me in a buoyant mood setting out for a new day whenever I hear it.
Ironically, his name probably draws a blank for many young people, underscoring yet again the short tenure of fame in a world that moves on.
For the older generation, how can one forget his “I guess the Lord must be in New York City,” another great song from Midnight Cowboy:
I say good-bye to all my sorrows
And by tomorrow I’ll be on my way
I guess the Lord must be in New York City
Nilsson also wrote and sang the gentle lyrics of “Remember,” which was revived as part of the sound track for the popular movie, You’ve got mail:
Remember is a place from long ago
Remember, filled with every place you know
Remember, when you’re feeling sad and down
Remember, turn aroundLife is just a memory
Close your eyes and you can see
Remember, think of all that life can be
Remember
I think of “Remember” as a lullaby, great for sleepless nights.
Nilsson also wrote other memorable songs, often sung by other artists:
“Sixteen Tons”
“Me and my Arrow”
“As Time Goes By”
“Coconut”
“A Love Like Yours”
I like it best when he sings his own lyrics in that mellifluous, cadenced voice that resonates so hauntingly, for Nilsson’s music, make no mistake about it, is about you and me in our everyday humanity, expectant, but often disappointed.
It’s quite amazing that this musical genius came from a rough, Brooklyn neighborhood and a broken home. He had just a ninth grade education. His mother was an alcoholic, and he would have six step-fathers. It was rare he gave a public concert. Only one album came out under his own name.
Among his admirers were the Beatles, who deemed him the best American solo singer-writer in America. He enjoyed close relationships with John and Ringo.
I think of him as being a lot like his contemporary, the English singer-songwriter, Nick Drake. Like Nilsson, Drake refrained from public concerts, remained relatively unknown, and was largely an influence. Today he’s recognized in the UK as one of its greatest singer-songwriters in the last 50 years. He was 26 when he died of a drug overdose for depression.
On January 15, 1994, Nilsson died from a heart attack. He was just 53.
